The xx. In Manila, finally.
The xx exist in a time and space of their own making. In 2009 the south London trio’s debut album ‘xx’ bled steadily into the public consciousness to become shorthand for newly refined ideas of teenage desire and anxiety. Articulated with a maturity beyond their years, its hallmarks were restraint and ambiguity. In the age of the over-share, ‘xx’ was pop with its privacy settings on max.
Three years on, Romy Madley Croft, Oliver Sim and Jamie Smith are back with a new album, ‘Coexist’, and a new perspective, after having come from gently shaping a new London sound to ears and hearts in America, Japan, Australia and mainland Europe. And for the first time, they have come to hit Asia with stops in Japan, Singapore, Hong Kong and yes, Manila. July 30, 2013 at The NBC Tent, a date which many music aficionados, both progressive and mainstream ones, have marked, ever since Random Minds Productions made the big announcement in early June, confirming that The xx added Manila at the last minute to their Asian Tour.
Fans including Ann Curtis, Megan Young & Saab Magalona quickly made the announcement viral, helping the xx (#xxmnl) trend on twitter the first day @RandomMindsPH announced it, as tickets flew out of Ticketworld’s website and into the hands of frenzied fans, young and old.
Evolution from their debut album ‘xx’ to the 2012 release, ‘Coexist.’
Following the release of ‘xx’, the trio spent the lion’s share of 2010 far from home, taking their Critical acclaim was matched by commercial success around the world, before The xx won the UK’s prestigious Mercury Music Prize. With all the successes and new experiences of that intense year and a half, a period away from the stage and studio was inevitable. In late October 2010, The xx returned from tour for some time apart, and normality.
“All of our friends had been to university and left home,” says Romy. “We really wanted to do that natural thing that you do when you go to uni or grow up.” All three moved out of their family homes within two weeks of being back. They made up for lost time with friends, hung out and
embraced a summer of festivals and shows that Jamie was booked to DJ. “We were his groupies,” laughs Romy.
Previously cast as the quietest of the three, Jamie became the public face of The xx in 2011. In between DJ gigs, he focused on growing his production skills, developing a distinct sound and presence. His remix of Adele’s Rolling In The Deep, re-imagining of Gil Scott-Heron’s final album on ‘We’re New Here’ with its defining single I’ll Take Care Of U, and his debut solo single Far Nearer set him apart as a highly regarded producer in his own right. That position was cemented when Drake asked Jamie to produce the title track of his album ‘Take Care’, inspired by I’ll Take Care Of U.
Behind the scenes, there was evolution too. Romy and Oliver’s writing process on ‘xx’ had been to exchange lyrics over the internet and only sing what they each had written. Having begun to write again quite soon after returning from tour – “Much sooner than I expected,” says Romy – they
discovered that their initial reticence to bare so much of themselves in person had faded.
That realignment extends to Jamie’s role. When he originally joined the band they’d been writing and gigging for a year. This time around it was the three of them working together from the start. Following a short spell in a Dalston practice room, Jamie found a space in Angel that would
become their studio. Essentially a couple of rooms in an ordinary office block, they turned the once mundane space into a nocturnal hub of creativity among the nine-to-five surroundings, hanging black velvet on the walls as soundproofing and fitting it out with a set-up that now
included piano, drums and steel pan. Back together again, separate from both their label in west London and east London’s music scene, Romy, Oliver and Jamie wrote ‘Coexist’.
“We just ended up playing new stuff to each other to try and write which was a fun way to do it,” explains Jamie. It wasn’t always plain sailing: “The idea I had at the beginning when we started wasn’t the right idea because I’d been in a place where I was making music for Drake and other
people, and myself, and I’d kind of forgotten about working with these two, which is very different because we’re so close.” Jamie continues: “Learning to work together as grownups was the biggest thing – it’s the thing that influenced the album the most. We just needed to find a
Understanding that balance became the heart and soul of ‘Coexist’. “Jamie has done his solo stuff and Oliver and I have done separate things but The xx is only when we’re together. That’s when it’s really us,” explains Romy. “I was reading up on oil on water – when you see a puddle on
the floor and it’s a rainbow. Oil and water don’t mix, they agree to peacefully coexist. I really liked that – these two simple things, oil and water, that together make something beautiful.”
While the fingerprints of R&B remain, ‘Coexist’s dawn realisations flicker into life under house music’s gaze. It also echoes in Romy’s guitar riffs and Oliver’s bass lines, which circle and build like loops. What has changed for The xx? Nothing, and everything. Older and wiser, surer yet still
so tender, ‘Coexist’ finds itself on the other side of heartbreak, when the light returns.
The xx Live in Manila is brought to you by Random Minds Productions. Tickets are available at all Ticketworld outlets, and on www.ticketworld.com.ph.
Facebook / @RandomMindsPH
The xx in Manila